In 2012, TRG bloggers are taking a fresh look at data and trends that
inform risks worth taking, best practices worth hanging onto, and assumptions
worth challenging – each in time for action to be taken.
The operative word in
the title question is: think, as in
assume. The more TRG studies patron
behavior, the more we realize how often and how much even the smartest managers
make wrong assumptions about the patrons who are visiting their exhibits or
sitting in the seats of their theatres, concert halls and arenas.
Take the question: Who
in attendance at an arts event has been here before? A
2011 TRG patron origination study told us: only about half. We say
“only” because the prevailing conventional wisdom was that most patrons—75% or more—are repeat ticket buyers,
subscribers, or members. In fact there
are so many new patrons in America’s audiences that the study’s author, TRG
Vice President Will Lester dubbed it, Every
Night is Opening Night. See Will’s
6-minute video presentation on the study here:
Knowing that a large population of new-to-you or new-to-the arts patrons make up your audience should challenge some other assumptions like:
No,
really, my audience is old and has been coming for decades. The
only way to be sure is to look for new-to-file patrons and track them. Once you do that, deeper analysis can tell
you when new audiences tend to show up and for what, and what they are willing
to pay.
Seriously,
people love us and keep coming back. Sorry—survey says that four out of
five new single ticket buyers come once and are never seen again. That’s why you keep track of new-to-file
patrons. They will come back if
they are welcomed and invited back appropriately. But you have to make that effort
strategically and at the right time.
Hold
on. Our new Twitter campaign (or e-mail, Google ad
campaign, season brochure, website, etc.) is so good it will bring in everyone this season. If
only it were ever that easy—or true! Is
your exciting new campaign developed for the right prospects? Does it speak meaningfully to existing
patrons and newcomers? Or, does it tell your story the way you think is right? TRG campaign research consistently shows that
newcomers respond differently to information you typically give insiders like
subscribers, members or donors. Plus, your campaign messages have to go out by
the right delivery media to reach the right prospects. It’s still direct response—snail mail,
email, targeted online advertising and communication, telemarketing,
telefunding
—that’s fueling audience development. And, not just one medium, a sound mix is
needed.
Well,
I won’t trade lists. Don’t ask me to let
my competitors steal my patrons. Guess what?
Nobody’s stealing anything. As we've written before, the
best patrons are active with multiple organizations. Research is clear on this point: your best
patrons are also good, better or best patrons at other arts and entertainment
organizations in your community. Plus,
as patron origination analysis tells, one in four of all new-to-file customers
have already attended another local organization’s offerings.
Anyway,
I have to cut my budget so I’ll just put money behind the events that need
help. Sound the
warning alarm on this one. Another
consistent finding of patron behavior study is that new audiences turn up more
often and in larger numbers for the best-selling shows, concerts, events, and
exhibits. Tight resources are needlessly
wasted on the wrong assumption that more spending will save an event that is
unlikely to find an audience
It’s tough to make
informed decisions 100% of the time. Smart
practitioners focus on making the best possible important decisions—the ones
that return on investment. What helps
is information—data—that’s readily available in your own database and, in
areas where they are available, in your community’s data network or co-op.
The
TRG team will be challenging assumptionsin Pittsburgh on April 4th and in Boston on April 19th during community data report-out events. Interested? Comment here.
'Every night is an opening night': interesting video! The results match with the results I get from my PhD research on 'customer loyalty to performing arts venues' in The Netherlands. The subtitle of my dissertation will be 'from coincidence to routines'. For some groups attendance at a specific venue is a coincidence, for some others (the minority) it is a routine.
ReplyDeletePieter de Rooij, rooy.h@nhtv.nl